Digital Photography & Imaging / Project 1

23.08.2021 - 20.09.2021 (Week 1 - Week 5)
Lulu Luisa Linardi / 0349358 / Bachelor of Design (Hons) in Creative Media
Digital Photography and Imaging [GROUP C] 
Project 1: Collage


LECTURES

Fig 1.0: Thumbnail


Jump Links:

Project 1A: Physical Collage

Project 1B: Digital Collage


Week 1: Introduction to Digital Photography & Imaging

The first week of class we got a briefing from Mr. Martin. He explained a lot about Adobe Photoshop, why we need to learn it, the importance of Photoshop for graphic designer, and also gave us some tips for a successful graphic designer. We also got some briefings for our future projects as well.

The Importance of Photoshop for the Graphic Designer
- Express your creativity
- Create graphic design
- Restoration of old images
- Integrate graphics with text artistically
- Make use of brushes
- Change photo color
- Rectify mistakes in photographs

Fig 1.1.1: Photoshop Layout

Tips of Successful Graphic Designer
- Follow the tutorials
- Experiment
- Memorize all keyboard shortcuts
- Try to replicate others work
- Do participate in design competitions
- Subscribe to online galleries
- Smart objects for smart designers
- Scaling artworks and proportions
- Use actions to personalize work
- Organize the files properly

Fig 1.1.2: Photoshop for Beginners


Week 2: Introduction to Composition

This week we got to learn more about some basic compositions for design, rule of thirds, golden ratio, and also composition (framing & cropping).

Introduction to Basic Composition 

1. Focal Point

A key element to any good composition is a strong focal point, as it helps your viewers’ eyes naturally settle on the important pieces of your design first.

Fig 1.1.1: Focal Point

2. Scale & Hierarchy

Scale is often used to help communicate hierarchy by drawing attention toward and away from certain elements, thus signifying their importance to the communication.

Fig 1.1.2: Scale & Hierarchy

3. Balance the Elements

A good technique for mastering asymmetrical balance is to think of each element as having a ‘weight’ to it. Smaller objects might ‘weigh’ less than larger objects, and heavily textured elements might ‘weigh’ more than flatly colored elements.

Fig 1.1.3: Balance the Elements

4. White Space

White space is mostly known as “empty space” to balance up the main focus of a composition. White space when used strategically can help boost your design’s clarity and overall look by balancing out the more complicated and busy parts of your composition with space that helps your design to breathe.

Fig 1.1.4: White Space


Rule of Thirds

The Rule of Thirds is the process of dividing an image into thirds, using two horizontal and two vertical lines. This imaginary grid yields nine parts with four intersection points. 

Fig 1.1.5: Rule of Thirds #1

When you position the most important elements of your image at these intersection points, you produce a much more natural image. It is also suggested that any horizon is placed on either the top horizontal line or bottom horizontal line.

Fig 1.1.6: Rule of Thirds #2

The Rule of Thirds is a way to:
- Use composition techniques that are in line with what’s naturally pleasing to the eye. 
- Creatively use negative space.
- Create conversation between the subject and background.

Fig 1.1.7: Rule of Thirds #3

Golden Ratio

The Golden Ratio is a mathematical ratio. It is commonly found in nature, and when used in a design, it fosters organic and natural-looking compositions that are aesthetically pleasing to the eye.

Fig 1.1.8: Golden Ratio #1

In design, the Golden Ratio boils down to aesthetics — creating and appreciating a sense of beauty through harmony and proportion. When applied to design, the Golden Ratio provides a sense of artistry.

Fig 1.1.9: Golden Ratio #2

Fig 1.1.10: Golden Ratio #3

The Golden Ratio is a useful guideline for determining dimensions of the layout. One very simple way to apply the Golden Ratio is to set your dimensions to 1:1.618.

Fig 1.1.11: Golden Ratio #4


Week 3: Introduction to Photoshop 2

In the third week, we got a lecture about the introduction to Photoshop and were briefed about the tools we will be using later.

Fig 1.2.1: Tools in Adobe Photoshop

Tool Box

It is the home of several sets of tools that Photoshop provides to its user. Users can expand the tool bar to get the additional tools. 

Fig 1.2.2: Tool Box


Lasso Tool

It is a tool for drawing freeform border around a selected object. Lasso tool allows the user to draw and pinpoint specific areas of an object.

Fig 1.2.3: Lasso Tool

There are three different lasso tool options, which are the lasso tool itself, polygonal lasso tool, and magnetic lasso tool. While the lasso tool can draw a freeform, polygonal lasso tool can only make a straight segment. The magnetic lasso tool is an automatic lasso tool that can detect image's edge that shows the most contrast one, and then select the pixels around them.

Fig 1.2.4: Option of Lasso Tools


Pen Tool

It is the most common option to use if the user wants to create a path from scratch.  Pen tool is the way that you add these points and the way you drag the tool as you create the points determines how they will look. The fewer points will create the smoother path.

Fig 1.2.5: Pen Tool


Variation of Pen Tool

Fig 1.2.6: Straight line paths

Fig 1.2.7: U shaped curves

Fig 1.2.8: Simple s curves

Fig 1.2.9: Complex s curves


Layering

The layers are different images stacked on top of each other. We can use each layer without affecting another one to make adjustments. Together they form one final image. It could look something like this in real life.

Fig 1.2.10: Layer interface

The advantage of using Layers is that users can save a the file with all the layers included which means we can use layers for non-destructive editing.  The adjustments in Photoshop will never destroy the original image.

Fig 1.2.11: Example of Layers


Week 4: Introduction to Photoshop 3

During this week, Mr. Martin taught us new topic which is about applying the adjustment layer and filter in Photoshop.

Adjustment Layer

It is a group of a super useful, non-destructive image editing tools that add color and tonal adjustments to your image without permanently changing its pixels. 

Fig 1.3.1: Adjustment Layer

When adding an adjustment layer to our image, a new layer will appear over it and a Properties panel specific to the type of adjustment we've selected will pop up. The Properties panel will allow us to modify our adjustment layer, which in turn will modify the image.

Fig 1.3.2: Basic Understanding of Adjustment Layer

1. Brightness/Contrast

It makes adjustments to the tonal range of the image. The brightness slider is for adjusting the highlights, while the Contrast slider is for adjusting the shadows in the image.

Fig 1.3.3: Brigthness/Contrast

2. Level

It modify the tonal values in an image by adjusting the levels of the shadows, midtones, and highlights. Using just a touch of it will go a long way in correcting the images.

Fig 1.3.4: Level

3. Curves

It lets user to adjust as many points as they want throughout the entire tonal range of the image.

Fig 1.3.5: Curves

4. Exposure

It lets user to adjust exposure levels with three sliders: Exposure, Offset and Gamma. Exposure will adjust only the highlights of the image, while Offset adjusts the mid tones and Gamma adjusts the dark tones only.

Fig 1.3.6: Exposure

5. Selective Color

It selectively modifies the amount of a primary color without modifying the other primary colors in your image.

Fig 1.3.7: Selective Color

Filter

There are filters to change colour, add blur or create completely new image effects. Photoshop offers a virtually unlimited variety of filters for this purpose.

Fig 1.3.8: Filter


INSTRUCTIONS


TUTORIAL

Week 1: Folder System & E-Portfolio

Mr. Martin showed us a short video by Mr. Fauzi about physical collage design, then it was followed by him giving explanation about the introduction to collage. We also got to see some past students' collage work from Mr. Fauzi's blog.

Composition Studies: Collage

Past students collage works

Week 2: Basic Composition Exercise

This week, Mr. Martin again showed us Mr. Fauzi's short video about physical collage design. He told us to refer to the video tutorial before we started to compose our collage design.

Week 3: Paths. Masking. Layering

Enter Life Composition Studies 

Week 4: Project 1 (Demo)

How to Remove Background in Photoshop

How To Add an Adjustment to a Single Layer in Photoshop

Fix Skin Tones in Photoshop


PRACTICAL

Project 1A: Physical Collage

Week 2: Collage Design Elements

Students were told to collect materials from magazines or printed elements for this week. After we finished our tutorial class, Mr. Martin gave us about 2 hours and a half to pre-compositing those prepared elements into 3 compositions, which should be submitted before 6pm. I didn't have any magazines so I got all the elements printed from Pinterest. However, I think some of the elements are too small, so I had some trouble when composing them. My works is kinda messy because we need to do 3 compositions in a hurry, but it was really exciting.

Fig 2.1.1: Printed elements for physical collage, 27.08.2021

Fig 2.1.2: Cutout process, 27.08.2021

Fig 2.1.3: Pre-Composition #1, 27.08.2021

Fig 2.1.4: Pre-Composition #2, 27.08.2021

Fig 2.1.5: Pre-Composition #3, 27.08.2021


Week 3: Final Review

Students were told to finish composing their physical collage after receiving feedback from the lecturer and classmates. Actually, I was asked by Mr. Martin to use either the second (fig 3.1.3) or the third one (fig 3.1.5), but I ended up combining two of them because I don't feel satisfied with those two. So I recomposed them with a more interesting idea. I also added some new materials to complete the looks.

Fig 2.2.1: Pasting the elements, 11.09.2021 

Fig 2.2.2: Physical Collage Final Outcome, 11.09.2021


Fig 2.2.3: Physical Collage Final PDF, 11.09.2021


Project 1B: Digital Collage

Week 3: Compositing Collage

In the third week, we were assigned to make 3 compositions of digital collage with only the given images. Mr. Martin told us to compose it on A4 portrait canvas size in Photoshop. There are 15 different images to use, and we can choose which to use freely.

Fig 2.3.1: Making process #1, 11.09.2021

Fig 2.3.2: Making process #2, 11.09.2021

Fig 2.3.3: Making process #3, 11.09.2021

Fig 2.3.4: Making process #4, 11.09.2021

Fig 2.3.5: Pre-Composition #1, 11.09.2021

Fig 2.3.6: Pre-Composition #2, 11.09.2021

Fig 2.3.7: Pre-Composition #3, 11.09.2021


Week 4: Adjustment Layers & Filters

This is my third idea exploration of the digital collage pre-composition which is chosen to be my final composition. When doing this, I was thinking of making the train and the station as the focal point so I cut them. Then I tried to cut the rail and make it bigger than the station so it has another interesting point. Also, put the sky (I cut it from the building element) behind it to create a great contrast between them. I used the polygonal lasso tool to crop the station, rail, and sky. Lastly, I cut some parts of the newspaper heading to create balance for the left and right parts. For the background, I only stacked some elements randomly but it turns out pretty well.

Fig 2.4.1: Adding some elements to create a balance composition, 13.09.2021

Fig 2.4.2: Digital Collage Final Outcome, 13.09.2021

We were also told to improvise our final outcome of the digital collage by using Adjustment Layers and Filters in Photoshop. I honestly didn’t know what to do with the adjustment but I suddenly came up with the vintage concept. I tried to create a vintage look for my digital collage composition. In this part, Hue/Saturation played the biggest role to change the color, almost all of the elements are using Hue/Saturation but with different adjustment. I also used Vibrance, Exposure, Brightness/Contrast, and Black & White for some elements to get another color and effects.

Fig 2.4.3: Process #1, 17.09.2021

Fig 2.4.4: Process #2, 17.09.2021

Fig 2.4.5: Process #3, 17.09.2021

Fig 2.4.6: Digital Collage (Adjusted) Final Outcome, 17.09.2021


Fig 2.4.7: Digital Collage Final PDF, 17.09.2021



FEEDBACK

WEEK 1-2

No feedback given

Week 3

The first composition (fig 3.1.4) is too simple and feels so empty, use either the second (fig 3.1.3) or the third one (fig 3.1.5). If using the third one, add the vintage photo frame there.


Week 4

Great composition. The first composition looks too common. The fish in the second composition is really great because it is done differently (by blending). The third one is well composed, but the left and right sides aren't balanced, try to put another elements below the newspaper cut to have the balance look.

Week 5

Everything looks okay, just need to separate project 1 from the exercises blog.


REFLECTIONS

Project 1A: Physical Collage
I really had fun during the class, especially when we were given a session to compose the physical collage. Although it was only about 2 hours, I managed to finish the task on time. My works are kinda messy because we need to do 3 compositions in a hurry, but it was really exciting. I observed that I'm having a hard time when doing work under pressure. I realized that I'll only cause a mess when working under pressure, and so I'm trying to slowly get used to it. And I also realized that I have trouble exploring new idea. I can only create great work for the first one, and then will stuck for the next one. Because my ideas weren't developing well, so I need more explorations to improve it. However, in the end, I managed to complete the task greatly.


Project 1B: Digital Collage
This task is a bit different from the previous one since we're doing it digitally. However, I also thought that it was challenging as well, because we were given the elements already and had to do the collage with our own ideas so our outcome won't be looked similar to the others'. Again, what we need to do is explore and keep exploring for new ideas. After I completed this task, I realized that it was much easier than I thought, because we can easily adjust, resize, rotate, and do many more editings in Photoshop. But I still had to work hard to achieve a great outcome.